Maya Tutorials

This article was printed in the 1998 siggraph issueof 3D Design magazine, for an article Alex Alvarez wrote entitled 'Organic Modeling and Animation in Maya V.1',Alex is director and instructor at Gnomon Training Center, a HIGHEND3D.COM strategic partner. Alex teaches advancedacharacter nimation ...

By Eric KellerThis tutorial will demonstrate some ways in which you can use the new per particle goal attributes introduce in Maya 7. Traditionally goals are away to move particles about the scene, much like fields. However, the techniques discussed here will use goals to get information about wh...

paul@paraform.compthuriot@hotmail.comINTRODUCTION There�s only one thing you need to remember as you go through this tutorial: there�s no �one way� to setup a character for digital animation�this way just generally works for me�! Every animator/ studio is going to have their own �personal� way of...

Hi, welcome back to my tutorial. This time I am going to show you how I setup bone for the dragon in the ready to animate way. Before I write this article, I've been completed a shot animated sequence of the dragon. A lot of mistake I've made during the setup, bind skin and IK. Most of the mistak...

This will cover modeling the hand, starting with a polyCylander.Create a 12 sided cylander and rotate 90 dgrees on Z axis. Select three faces and extrude them. Flatten and move them as shown in the .gif below until you have a cool design. Scale the front smaller so that it will look like it fits ...

The following concept overview will be covering Wrap Skinning for the purpose of actual muscle/bone deformation of the skin.The basic concept is:Skeleton Joints driving Bones driving Muscle movement/shape driving Skin deformation.Skeleton Joints>>Geometry Bones>>Geometry Muscle>&gt...

INTRODUCTIONTo execute this tutorial you must download and install CrowdMaker 0.5 (or higher). You can download the file here The "CrowdMaker 0.5.rar" contains some scripts, a text file with an installation guide and sample scenes. On the next pages you can see the procedure to create a scene and...

by Bora Dayioglufor comments and suggestions;mailto:bora@animationartist.netHome PageHi everyone,In this tutorial I tried to explain my solution to make an easy to animate leg skeleton approach. What I did is simply to create two simple leg skeletons to drive the main skeleton which will later be...

We have already covered creating a skeleton optimized for real-time not only in its number of joints but also in the way the axes of each joint is oriented. We will now address creating controls for the animator to use when positioning the character. This is in essence digital puppeteering.Creati...

In this tutorial we will be creating an IK setup, controls, and skinning for the little kitty above.The first step is to make a model. This one is in NURBS, but you can make it in subdivison surfaces instead if you want.MODELINGMake some curve circles and move them around til they look like the a...

Stage 1:Creating the Tentacle animationGo into the side view and create a curveRebuild the curve with more CV�s, about 30 will do.Next create a nurbs circle to the thickness you want your Tentacle to be.Select the circle then the curve and extrude a surface using the following settings:TubeAt Pat...

Adam Martinez Technical Director, GLC ProductionsWho are you and what is this?Hello! My name is Adam Martinez, and I am a technical director at GLC Productions in New York City (www.glc.com.) As a technical director, I get asked to do all sorts of silly things, like light shots, shade models, cre...

We have already covered creating controls for the legs of our character. We now want to tackle the spine area of the character. This is a source of many headaches for setup artists. The reasoning is that the spine is not an independent joint chain like the legs are. Instead, the spine reacts to t...

The process of getting real-time characters ready for animation involves a balance between animator, programmer and engine. Most setup artists are confronted with the issue of delivering to the animator the flexibility of movement for a character while placed within the restrictions of a run time...

Softbody objects in Maya are actually a type of particle effect. Maya allows you to connect any particle object to any emitter. Therefore you can actually emit geometry from a point emitter.1. Open/import a Nurbs or a polygonal object2. Make this object a softbody with a GoalWeight of .753. Creat...

some assembly may be required ;) add " Maya*glRenderView.saAccumbuffer: False " into your .Xresources file in your home directory1) create nurbs cylinder (with end caps)2) rotate 90 deg about Z3) scale to 4.5 units in Y4) create nurbs sphere with end sweep 1805) translate 4.5 in X6) rotate 90 deg...

This article was printed in the 1998 siggraph issueof 3D Design magazine, for an article Alex Alvarez wrote entitled 'Organic Modeling and Animation in Maya V.1',Alex is director and instructor at Gnomon Training Center, a HIGHEND3D.COM strategic partner. Alex teaches advancedacharacter nimation ...

Edited by nathaniel adam briggs - syntheticMagic.comOk, this tutoral on interparticle collisions (particles from the same emitter colliding) and particle - particle collisions (particles from different emitters colliding) is fairly simple. Anyone who is comfortable with using emitters and the Dyn...

The following concept tutorial will be covering Dynamic Constraints for sled or Star Wars pod type rigs.Anatomy of Concept:Nulls drive the translation of the spring constraints.Spring(s) contraint drives geometry movement.Steps for Creation:Geometry Construction:2 cylinders, 1 translated +3 X, 1 ...

The following concept tutorial will be covering Surface Emitted Particles on SoftBody tenticles to create a spiraling array particle system for futuristic gun blasts or whatever.Anatomy of Concept:A central control object drives the vector and twist of the softbody goals.Particles are emitted fro...

Home PageIs this a Hag or not! After seeing some posts about this subject on Highend list, I decided to write a very short tutorial about the most important things Duncan pointed out about using PFX for hair. I picked up the female nurbs head created by Jeffrey Wilson on the Design community webs...

The Following exercise is just that, an exercise in getting a little more cooperation out of After Effects using Maya. It's not really about actual Z-Depth in After Effects, but Fun With Matte Keys instead. 1- Lets start with two planets, Earth and it's satellite, the moon (two spheres w/ the app...

1) Primitives->create nurbs->plane []2) Change the U patches and V patches to 203) Scale it 7 units in the X, Y, and Z4) Translate it to 5 units in the Y5) Bodies->create soft body6) Bodies->create springs7) Change the damping to 0.058) Primitives->create nurbs->sphere9) Scale i...

When we work on image in canvas mode one an image, often we needs to erase a part or in transparency the effect of brush which one has just pose.In this case the technique of brush by restoration of the basic image and not of the background proves to be necessary.This type of brush is on Eclipse ...

Lorsque l'on travaille sur image en mode "Canvas" on a souvent besoin d'effacer une partie ou en transparence l'effet de brosse que l'on vient de poser. Dans ce cas la technique de brosse par restauration de l'image de fond et non du fond de page (background) s'av�re n�cessaire. Ce type de brosse...