Editor's Pick
Gallery
This is my take on Sam Keith’s The Max. The Maxx is a very abstract character that changes form quite a bit from image to image, but this my culmination of the character existing in the Outback of Pangaea. I wanted this image to fall somewhere between surreal and realistic much like the character and comic do, so hopefully it achieves this.
I started this project a long long time ago and have worked on it on and off. Ihave no idea how long I ever actually spent on it but probably way too long. It’s always been my experimental piece so a lot of the stuff on here I hadn’t tried before at the time. It took me down some rabbit holes between not having a strong enough computer to complete the sculpt at one point, obsessing over color detail from all angles thinking about maybe a 3D print or animated poster which lead to wanting to attempt a real hair sim (which ended up being a deep deep rabbit hole, but I settled on a sculpt with a little paint over in the final image here). I decided I finally wanted to wrap up this project so I spent a week wrapping it up and putting together renders for this composite.
The models were started in Maya and finished in Zbrush. Textures were started in Photoshop and finished in Zbrush and Cinema 4D Body Paint and are all hand painted. Final renders we created in Maya Mental Ray and composites in Photoshop. The only minor airbrushing is applied to the hair and feathers, and a couple small composite mask bleeds around the rock.
I started this project a long long time ago and have worked on it on and off. Ihave no idea how long I ever actually spent on it but probably way too long. It’s always been my experimental piece so a lot of the stuff on here I hadn’t tried before at the time. It took me down some rabbit holes between not having a strong enough computer to complete the sculpt at one point, obsessing over color detail from all angles thinking about maybe a 3D print or animated poster which lead to wanting to attempt a real hair sim (which ended up being a deep deep rabbit hole, but I settled on a sculpt with a little paint over in the final image here). I decided I finally wanted to wrap up this project so I spent a week wrapping it up and putting together renders for this composite.
The models were started in Maya and finished in Zbrush. Textures were started in Photoshop and finished in Zbrush and Cinema 4D Body Paint and are all hand painted. Final renders we created in Maya Mental Ray and composites in Photoshop. The only minor airbrushing is applied to the hair and feathers, and a couple small composite mask bleeds around the rock.
▼ Images
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Artiphyciel Editor's Pick
This picture is from Artiphyciel project, made by Emmanuel LEPAS & Nicolas LEBLANC. More Artiphyciel's Hi-res (2560x1920) pictures at www.artiphyciel.com. Hope you'll like it ! :)21856 Views
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Wolves Bus ride Editor's Pick
It was rought enough, for a "pass-time" draw. But I guess, sometimes, It's good to give ourself, big objectives.
Anyway, I'm proud of it.17396 Views
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Jaguar XKR Editor's Pick
Mesh-modeling in 3dsmax, model has 120 000 faces. Rendered with Vray.27503 Views
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The old village Editor's Pick
The old village, this is an old village, local residents are repairing it,
plan to meet guests travelling, I make with 3DMAX VR PHOTOSHOP.
Hope to receive various kinds of suggestions. Thanks
[url]http://www.exquisitus3d.com./[/url]19691 Views
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The old village Editor's Pick
The old village, this is an old village, local residents are repairing it,
plan to meet guests travelling, I make with 3DMAX VR PHOTOSHOP.
Hope to receive various kinds of suggestions. Thanks
[url]http://www.exquisitus3d.com./[/url]21969 Views
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The old village Editor's Pick
The old village, this is an old village, local residents are repairing it,
plan to meet guests travelling, I make with 3DMAX VR PHOTOSHOP.
Hope to receive various kinds of suggestions. Thanks23593 Views
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Christmas Amnesty Editor's Pick
Based on the Amnesty International logo (a candle bound in barbed wire). A fake sub surface plugin was used for the candle22930 Views
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Christina's World Gr Editor's Pick
Images taken from 'Christina's World' by Wyeth and various photographs24083 Views
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Maxim Cyberbabe Editor's Pick
Commissioned by Maxim magazine to create the ultimate cyberbabe, based upon a reader's poll to find the perfect female135606 Views
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Worm , Ants Editor's Pick
I made its just for fun...
to see wire frame image at : http://www.mystic9d.com/no_esc_wire.jpg23272 Views
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Mongolean Girl Editor's Pick
The hat is completly modelled! I used the magnet tool to deform it.. pearls with a sss fake plugin. Textures made with Photoshop, skintexture with Bodypaint 2.54560 Views
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RollBot Editor's Pick
Post process in Photoshop (layered COPIC pen images). So it looks a bit like painted.
Used plugins: V-Reel skin, Translucent Pro + Transparent shader, Solid Splines Pro and final touch (for shadows, saturation and contrast)
Texturing with SLA (Smells Like Almonds, an internal C4D shader packet, originally done by bhodinut, now cidertank). The complete background was done with it. For the bottom a photo texture was used.
I can't stop doing robots :)
Best regards
Peter Hofmann30491 Views
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Alien Flower Editor's Pick
SPD and scanned textures. Postwork in Photoshop.
Used plugins: Solid Splines Pro and Translucent Pro.
Some SSS effects.32103 Views
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Medieval Airport Editor's Pick
This image is a personal project created for the "Medieval Airport" competition over at Renderocity. The idea of the competition was what if flight had been invented during the Medieval era? What would the vehicles look like, how would they work, what would an airport look like, etc.
My concept centered around the idea of utilizing the natural forces available in the environment: the lift of hot air, the momentum of running water, the updraft of a canyon wall. The vehicles in this concept are a cross between a hot air balloon and an old sailing ship, and the idea is that hot air would provide lift and the propellers would provide thrust and maneuverability. The smaller vehicles would carry passengers and would be able to land at various towers around the complex, the heavier cargo vessels would land in the water and drift down to the load/unload dock. Once the cranes hand loaded the cargo ships, the would be let loose to run down stream gathering momentum, and as they ran off the edge of the waterfall and updraft would further assist in getting heavy load airborne. Similar to a modern-day aircraft carrier, two launching areas could accommodate a constant stream of traffic.
A quick animated version is available to view here: http://www.brinda.com/posts/MedievalAirport.mov
34645 Views
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Hovercraft Editor's Pick
This image was created as a personal project, for a speed modeling challenge over at 3Dattack.net, and explores what a "personal hovercraft" might look like.28012 Views
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